For over 20 years, I have had this dream – to create a female figure, a Modern Athena, at the scale of Michelangelo’s David. It seemed impossible, but in 2014, a friend from Georgia made me a unique offer. As part of an exchange for web services, he would pay me with a thousand pounds of Italian marble and alabaster. I accepted. I bought a set of steel chisels that were gathering dust in an art store, watched some instructional YouTube videos, and went to work teaching myself how to carve. When you’ve thought about something as long as I have, and you finally sit down to do it, it just flows out. In 2016, I spent a month in the city of Artists, the town of Pietrasanta, Italy, where Michelangelo himself once worked. There, I purchased proper carbide chisels, diamond rasps, and over 4,000 lbs of statuario marble – and had everything shipped back to Chicago.
The Modern Athena sculpture is to be seen as a symbol of female strength, beauty and wisdom – a modern woman. In the age of the “#MeToo” movement, female identity and power have emerged as fronts for social change. This large scale sculpture embraces our changing social dynamics in the hopes that the turmoil of change will eventually beget mutual prosperity.
I consider my vision for this project – to create a female figure at the scale of Michelangelo’s David, to be the pinnacle of my artistic achievement. I envisioned it 20 years ago and it seemed impossible. However, now it’s simply time to begin.
There are two phases to the Modern Athena project. Phase I is the completion of a 4 foot scale version in Statuario marble. To that end, I have already acquired a 2 ton block of Statuario marble via a successful kickstarter campaign and a trip to Italy in 2016. “Finding Athena” was a successful indiegogo campaign that just wrapped in time for Christmas 2019. The fundraiser covered the costs of a month-long residency in Athens, Greece in January 2020. I took with me the small scale model that had been cast into fiberglass of the Modern Athena Sculpture and spent the month working closely with art historian and curator Elizabeth Plessa on my project. We had scheduled studio visits, gallery openings, and museum shows. I also researched the costs of working with Greek marble instead of Italian marble and other logistical issues.
After Phase I is completed, Phase II requires the purchase of a 17 foot block of Statuario marble from Carrara, a minimum of two years of carving work, shipment to the USA, additional tools, assistants and studio rentals in Italy and America. LIFTED, the short video above, is a glimpse into my trip to Italy in 2016 and its magnificent marble quarries.